96% Sister

All Critics (54) | Top Critics (16) | Fresh (52) | Rotten (2)

The movie takes a refreshingly low-key, observational approach to storytelling ...

"Sister" avoids sentimental indulgence. There's no room for wallowing in this spare, almost ascetic exercise ...

French-born director and co-screenwriter Ursula Meier balances the scenario's bleak, wrenching aspects with a stirring confidence in the redemptive power of love.

Seydoux perfectly captures the anger and self-defeat of ill-educated, hedonistic, man-chasing young women who live on the fringes.

L?a Seydoux fulfills Louise, and Kacey Mottet Klein, as Simon, is one more to join the pantheon of film's excellent child actors.

Haunting and sad. And absolutely worth seeing.

Strong cinematography, excellent performances, and a deft touch with how adulthood can be forced upon what should be carefree adolescence make it emotionally memorable without ever feeling manipulative.

A low-key, affecting story of dreams at odds with reality and crime sprung from necessity.

We come away relieved and somehow chastened, the same way we might feel after having our pocket picked by a true artist.

The storytelling is exciting and the characters well-observed.

For the most part a distant film, Sister supplies a full behavioral experience that's riveting at times, with lead performances by Lea Seydoux and Kacey Mottet Klein communicating isolation in bravely vulnerable ways.

Emotionally engaging and impeccably crafted

Klein and Seydoux give such naturalistic performances that they're never overwhelmed by the spectacle.

"Sister" is loose and episodic, but held together with nicely sketched characters.

[A]voids bathos. . .reveals unexpected depth in a heartbreaking bond. . . Different classes conflict [in] adjacent spaces . . .in spare, realistic Dardennes' style.

Meier draws out wonderfully naturalistic performances from her young stars, with Mottet Klein particularly good as the young roustabout Simon ...

It comes over like a subtle short story and is well acted.

Meier's portrait of Simon ... is richly atmospheric and never sentimental.

An enigmatic, heartfelt account of a vulnerable young boy's yearning for a better life.

Most intriguing is how the writers and director have transformed what's essentially a rather dark, bleak story into something involving and emotionally resonant, all without ever turning sentimental.

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Source: http://www.rottentomatoes.com/m/lenfant_den_haut/

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